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If he could have only died on that summer’s night when he had left number four, Privet Drive for the last time, when the noble phoenix feather wand had saved him! If he could have only died like Hedwig, so quickly he would not have known it had happened! Or if he could have launched himself in front of a wand to save someone he loved…he envied even his own parents’ deaths now.This cold-blooded walk to his own destruction would require a different kind of bravery. - Harry Potter and the Deathly Hallows, J.K.Rowling

If he could have only died on that summer’s night when he had left number four, Privet Drive for the last time, when the noble phoenix feather wand had saved him! If he could have only died like Hedwig, so quickly he would not have known it had happened! Or if he could have launched himself in front of a wand to save someone he loved…he envied even his own parents’ deaths now.
This cold-blooded walk to his own destruction would require a different kind of bravery. - Harry Potter and the Deathly Hallows, J.K.Rowling

(via holymotherofrowling)

hpgifsforyourlife:

The first and last time the Golden Trio were ever on screen together. (ϟ)

(via untiltheveryend15)

“What’ll happen to it, do you think?” she asked. “WIll it be all right?”

“You sound like Hagrid,” said Ron. “It’s a dragon, Hermione, it can look after itself. It’s us we need to worry about.”

“What do you mean?”

“Well, I don’t know how to break this to you,” said Ron, “but I think they might have noticed we broke into Gringotts.”
- Harry Potter and the Deathly Hallows

(via -hogwarts)

doctorwho:

Guardian UK Art Blog reviews Doctor Who Experience, calls it best exhibition of the year

My exhibition of the year so far? The Doctor Who Experience at London’s Olympia, naturally – and if you have not yet seen it, may I urge you to go before it closes.
Art exhibitions are certainly put into perspective by the responses this multisensory extravaganza gets from visitors. I mean, people paid a lot of attention to Leonardo da Vinci’s paintings at the National Gallery, but how many actually dressed up as Leonardo? And how many teenaged David Hockneys did you see going around A Bigger Picture at the Royal Academy?
At the Doctor Who Experience, ordinary visitors rub shoulders with super fans who have spent hours on clothes and makeup to look like Matt Smith, David Tennant, or Karen Gillan. They are very impressive, as are the whirring Tardis control room where children can help pilot the Doctor’s ship, the tunnel haunted by Weeping Angels, and the thrill of being held prisoner by the Daleks.
…
I would much rather parents took their children to this exhibition than to displays of the latest contemporary art. Doctor Who is imaginative and demands attention; it has a way of enriching rather than simplifying the experience of people young and old. It ramifies. This is why it works so engagingly as an exhibition – in the 1970s and now. And if you’re not in the family-fun business … go anyway. Just don’t hog the Tardis controls.

read the rest at Jonathan Jones’ OnArt blog at guardian.co.uk

doctorwho:

Guardian UK Art Blog reviews Doctor Who Experience, calls it best exhibition of the year

My exhibition of the year so far? The Doctor Who Experience at London’s Olympia, naturally – and if you have not yet seen it, may I urge you to go before it closes.

Art exhibitions are certainly put into perspective by the responses this multisensory extravaganza gets from visitors. I mean, people paid a lot of attention to Leonardo da Vinci’s paintings at the National Gallery, but how many actually dressed up as Leonardo? And how many teenaged David Hockneys did you see going around A Bigger Picture at the Royal Academy?

At the Doctor Who Experience, ordinary visitors rub shoulders with super fans who have spent hours on clothes and makeup to look like Matt SmithDavid Tennant, or Karen Gillan. They are very impressive, as are the whirring Tardis control room where children can help pilot the Doctor’s ship, the tunnel haunted by Weeping Angels, and the thrill of being held prisoner by the Daleks.

I would much rather parents took their children to this exhibition than to displays of the latest contemporary art. Doctor Who is imaginative and demands attention; it has a way of enriching rather than simplifying the experience of people young and old. It ramifies. This is why it works so engagingly as an exhibition – in the 1970s and now. And if you’re not in the family-fun business … go anyway. Just don’t hog the Tardis controls.

read the rest at Jonathan Jones’ OnArt blog at guardian.co.uk